Six
National Tour
"I shed a tear at Cecilia Snow's ‘Heart of Stone.'"
-Jenny Bravo (Broadway World)
"Cecilia Snow was in for Amina Faye in the role of Jane Seymour, the only wife Henry truly loved. Snow was a knockout in the role with a ballad similar in style to Adele or Celine Dion. The sustained applause for her solo number stopped the show in its tracks.
-Alan Smason, WYES-TV Theatre Critic (“Steppin’ Out“)
"Cecilia Snow is commanding and cunning as Anne of Cleves."
-Jeffery Ellis
"On opening night at DPAC, Anna of Cleves was portrayed by an irrepressible Cecilia Snow who dominated her number (“Get Down”) with unquenchable vocals."
-Naveed Moeed (Beltline to Broadway)
"Cecilia Snow stepped into the role of Catherine of Aragon and she led the show with precision and sass that had me wanting to see more."
-Lorens Portalatin (Broadway World Dallas)
"As the first queen, Snow felt like the natural leader with her regal air."
-Dallas Voice
-Jenny Bravo (Broadway World)
"Cecilia Snow was in for Amina Faye in the role of Jane Seymour, the only wife Henry truly loved. Snow was a knockout in the role with a ballad similar in style to Adele or Celine Dion. The sustained applause for her solo number stopped the show in its tracks.
-Alan Smason, WYES-TV Theatre Critic (“Steppin’ Out“)
"Cecilia Snow is commanding and cunning as Anne of Cleves."
-Jeffery Ellis
"On opening night at DPAC, Anna of Cleves was portrayed by an irrepressible Cecilia Snow who dominated her number (“Get Down”) with unquenchable vocals."
-Naveed Moeed (Beltline to Broadway)
"Cecilia Snow stepped into the role of Catherine of Aragon and she led the show with precision and sass that had me wanting to see more."
-Lorens Portalatin (Broadway World Dallas)
"As the first queen, Snow felt like the natural leader with her regal air."
-Dallas Voice
The Bodyguard
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Songs for a New World
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Ragtime
The Eagle Theatre
“The vocal power punches were delivered in tandem by Cecilia Snow as Sarah and Ezekiel Andrew as Coalhouse Walker Jr. Snow pummels us with her magnetic voice during ‘Your Daddy’s Son.’”
-Anne Marie Scalies (Philly Life & Culture)
-Anne Marie Scalies (Philly Life & Culture)
Ain't Misbehavin'
MusicalFare
"Cecilia Snow’s satiny voice in 'Squeeze Me' and 'That Ain’t Right' is seducing, but she equally effectively sasses it up in numbers like 'Find Out What They Like.'"
-Marisa Caruso (NY Theatre Guide)
"Among the women, I was most impressed with Cecilia Snow, a recent graduate of the Crane School of Music in Potsdam. Ms. Snow enjoys the advantage of having been assigned material that is appropriate for her, and she makes full use of this opportunity, landing the Nell Carter numbers with authority and all kinds of personality. From her fresh and sassy 'Cash for Your Trash,' to her mournful 'Mean to Me,' this performer has range and poise in abundance. Her interpretations of lyrics are clear and engaging, and she projects a likeable nonchalance as she deploys her formidable talent."
-Anthony Chase (The Public)
"The very pretty, nuanced, storytelling work of songstress Snow on 'I’ve Got A Feeling I’m Falling' and particularly 'Mean to Me,' that ageless, broken-hearted lounge lament of unrequited love, written in 1929. It’s not a Waller song, but it’s always great to hear – beautiful minutes and a prime example of her night-long leadership."
-Ted Hadley (The Buffalo News)
-Marisa Caruso (NY Theatre Guide)
"Among the women, I was most impressed with Cecilia Snow, a recent graduate of the Crane School of Music in Potsdam. Ms. Snow enjoys the advantage of having been assigned material that is appropriate for her, and she makes full use of this opportunity, landing the Nell Carter numbers with authority and all kinds of personality. From her fresh and sassy 'Cash for Your Trash,' to her mournful 'Mean to Me,' this performer has range and poise in abundance. Her interpretations of lyrics are clear and engaging, and she projects a likeable nonchalance as she deploys her formidable talent."
-Anthony Chase (The Public)
"The very pretty, nuanced, storytelling work of songstress Snow on 'I’ve Got A Feeling I’m Falling' and particularly 'Mean to Me,' that ageless, broken-hearted lounge lament of unrequited love, written in 1929. It’s not a Waller song, but it’s always great to hear – beautiful minutes and a prime example of her night-long leadership."
-Ted Hadley (The Buffalo News)