Six (National Tour)
"I shed a tear at Cecilia Snow's ‘Heart of Stone.'" -Jenny Bravo (Broadway World)
"Cecilia Snow was in for Amina Faye in the role of Jane Seymour, the only wife Henry truly loved. Snow was a knockout in the role with a ballad similar in style to Adele or Celine Dion. The sustained applause for her solo number stopped the show in its tracks.
-Alan Smason, WYES-TV Theatre Critic (“Steppin’ Out“)
"Cecilia Snow is commanding and cunning as Anne of Cleves." -Jeffery Ellis
"On opening night at DPAC, Anna of Cleves was portrayed by an irrepressible Cecilia Snow who dominated her number (“Get Down”) with unquenchable vocals." -Naveed Moeed (Beltline to Broadway)
"Cecilia Snow stepped into the role of Catherine of Aragon and she led the show with precision and sass that had me wanting to see more." - by Lorens Portalatin (Broadway World Dallas)
"As the first queen, Snow felt like the natural leader with her regal air." -Dallas Voice
"Gerianne Perez was out the night I attended, but Cecilia Snow filled in very well, so well in fact that I forgot until after the show that she was an alternate."- Kevin Brackett (ReviewSTL)
"There are hints of soul in the insistent impatience Cecilia Snow (replacing Gerianne Pérez) brings to 'No Way,' Catherine’s signature song." -Tina Farmer (Riverfront Times)
The Bodyguard (White Plains Performing Arts Center)
"Cecilia Snow, as Nicki Marron, is certainly no shrinking violet, and delivers an Act One 11' o'clock rendition of "Saving All My Love for You." It could have closed the first act and then some." -Kathryn Kitt (Broadway World)
"You may come for the leads, but you will stay for Cecilia Snow, who plays Nicki. Ms. Snow's powerful voice steals the show... She is worth the price of admission!" -Edward Lieberman (Theater Scene)
"The show's standout performer is Cecilia Snow, who plays Rachel's sister... on stage, Snow steals every scene, belting heartfelt renditions of "Saving All My Love" and "Run to You." Together LaToya London and Snow boast some nice harmonies."
-Danielle Rivera (The Scarsdale Inquirer)
"The other well-known tunes are performed by Ms. Snow whose voice is flat-out spectacular." -Gerry Falco (The Theatre Guide)
Songs for a New World (Slow Burn Theatre)
“First among equals is Snow whose voice is simultaneously smooth liquid yet bravura in the anthem “I’m Not Afraid of Anything” in which the strong-minded heroine disses the fears of her friends and family, but realizes that her lover will always be afraid of committing completely, and therefore, none of these people will “get behind this wall.” She is a real discovery (locally) who we hope to hear more from.” -Bill Hirschman (Florida Theatre On Stage)
Songs for a New World (Second Generation Theatre)
"I can't wait to hear Cecilia Snow again soon... There is nothing like a conservatory trained voice. Perfectly on pitch, smooth, consistent quality. I hope to see Snow on my playbills going forward." -Peter Hall (Buffalo Rising)
Ragtime (The Eagle Theatre)
“The vocal power punches were delivered in tandem by Cecilia Snow as Sarah and Ezekiel Andrew as Coalhouse Walker Jr. Snow pummels us with her magnetic voice during ‘Your Daddy’s Son.’” -Anne Marie Scalies (Philly Life & Culture)
Ain't Misbehavin' (MusicalFare)
"Cecilia Snow’s satiny voice in 'Squeeze Me' and 'That Ain’t Right' is seducing, but she equally effectively sasses it up in numbers like 'Find Out What They Like.'" -Marisa Caruso (NY Theatre Guide)
"Among the women, I was most impressed with Cecilia Snow, a recent graduate of the Crane School of Music in Potsdam. Ms. Snow enjoys the advantage of having been assigned material that is appropriate for her, and she makes full use of this opportunity, landing the Nell Carter numbers with authority and all kinds of personality. From her fresh and sassy 'Cash for Your Trash,' to her mournful 'Mean to Me,' this performer has range and poise in abundance. Her interpretations of lyrics are clear and engaging, and she projects a likeable nonchalance as she deploys her formidable talent." -Anthony Chase (The Public)
"The very pretty, nuanced, storytelling work of songstress Snow on 'I’ve Got A Feeling I’m Falling' and particularly 'Mean to Me,' that ageless, broken-hearted lounge lament of unrequited love, written in 1929. It’s not a Waller song, but it’s always great to hear – beautiful minutes and a prime example of her night-long leadership." -Ted Hadley (The Buffalo News)
"I shed a tear at Cecilia Snow's ‘Heart of Stone.'" -Jenny Bravo (Broadway World)
"Cecilia Snow was in for Amina Faye in the role of Jane Seymour, the only wife Henry truly loved. Snow was a knockout in the role with a ballad similar in style to Adele or Celine Dion. The sustained applause for her solo number stopped the show in its tracks.
-Alan Smason, WYES-TV Theatre Critic (“Steppin’ Out“)
"Cecilia Snow is commanding and cunning as Anne of Cleves." -Jeffery Ellis
"On opening night at DPAC, Anna of Cleves was portrayed by an irrepressible Cecilia Snow who dominated her number (“Get Down”) with unquenchable vocals." -Naveed Moeed (Beltline to Broadway)
"Cecilia Snow stepped into the role of Catherine of Aragon and she led the show with precision and sass that had me wanting to see more." - by Lorens Portalatin (Broadway World Dallas)
"As the first queen, Snow felt like the natural leader with her regal air." -Dallas Voice
"Gerianne Perez was out the night I attended, but Cecilia Snow filled in very well, so well in fact that I forgot until after the show that she was an alternate."- Kevin Brackett (ReviewSTL)
"There are hints of soul in the insistent impatience Cecilia Snow (replacing Gerianne Pérez) brings to 'No Way,' Catherine’s signature song." -Tina Farmer (Riverfront Times)
The Bodyguard (White Plains Performing Arts Center)
"Cecilia Snow, as Nicki Marron, is certainly no shrinking violet, and delivers an Act One 11' o'clock rendition of "Saving All My Love for You." It could have closed the first act and then some." -Kathryn Kitt (Broadway World)
"You may come for the leads, but you will stay for Cecilia Snow, who plays Nicki. Ms. Snow's powerful voice steals the show... She is worth the price of admission!" -Edward Lieberman (Theater Scene)
"The show's standout performer is Cecilia Snow, who plays Rachel's sister... on stage, Snow steals every scene, belting heartfelt renditions of "Saving All My Love" and "Run to You." Together LaToya London and Snow boast some nice harmonies."
-Danielle Rivera (The Scarsdale Inquirer)
"The other well-known tunes are performed by Ms. Snow whose voice is flat-out spectacular." -Gerry Falco (The Theatre Guide)
Songs for a New World (Slow Burn Theatre)
“First among equals is Snow whose voice is simultaneously smooth liquid yet bravura in the anthem “I’m Not Afraid of Anything” in which the strong-minded heroine disses the fears of her friends and family, but realizes that her lover will always be afraid of committing completely, and therefore, none of these people will “get behind this wall.” She is a real discovery (locally) who we hope to hear more from.” -Bill Hirschman (Florida Theatre On Stage)
Songs for a New World (Second Generation Theatre)
"I can't wait to hear Cecilia Snow again soon... There is nothing like a conservatory trained voice. Perfectly on pitch, smooth, consistent quality. I hope to see Snow on my playbills going forward." -Peter Hall (Buffalo Rising)
Ragtime (The Eagle Theatre)
“The vocal power punches were delivered in tandem by Cecilia Snow as Sarah and Ezekiel Andrew as Coalhouse Walker Jr. Snow pummels us with her magnetic voice during ‘Your Daddy’s Son.’” -Anne Marie Scalies (Philly Life & Culture)
Ain't Misbehavin' (MusicalFare)
"Cecilia Snow’s satiny voice in 'Squeeze Me' and 'That Ain’t Right' is seducing, but she equally effectively sasses it up in numbers like 'Find Out What They Like.'" -Marisa Caruso (NY Theatre Guide)
"Among the women, I was most impressed with Cecilia Snow, a recent graduate of the Crane School of Music in Potsdam. Ms. Snow enjoys the advantage of having been assigned material that is appropriate for her, and she makes full use of this opportunity, landing the Nell Carter numbers with authority and all kinds of personality. From her fresh and sassy 'Cash for Your Trash,' to her mournful 'Mean to Me,' this performer has range and poise in abundance. Her interpretations of lyrics are clear and engaging, and she projects a likeable nonchalance as she deploys her formidable talent." -Anthony Chase (The Public)
"The very pretty, nuanced, storytelling work of songstress Snow on 'I’ve Got A Feeling I’m Falling' and particularly 'Mean to Me,' that ageless, broken-hearted lounge lament of unrequited love, written in 1929. It’s not a Waller song, but it’s always great to hear – beautiful minutes and a prime example of her night-long leadership." -Ted Hadley (The Buffalo News)
